Painted about 1631. File:Rembrandt Old Man in an Armchair, possibly a portrait of Jan Amos Comenius.jpg; Category:Old Man in an Armchair ("Jan Amos Comenius") by Rembrandt; File usage on other wikis. Open Content images tend to be large in file-size. This is a drawing after a painting done by Rembrandt. Along the bottom the painting was c. 18 cm larger. The rich costume that he is wearing gives no indication of the old man’s occupation or social status. It is covered by a disturbing layer of yellowed varnish, The painting has been cropped both at top left and bottom. An ultramarine blue sky was discovered under a greyish overpainting and taken to be the original sky, An Old Woman Reading, probably the Prophetess Anna, Oil, transferred from panel to canvas and then stuck on to panel, The Artist in an Oriental Costume, with a Poodle at his Feet, Bust of an Old Man with a Cap and Gold Chain, Portrait of a Man at a Writing Desk, possibly Jacob Bruyningh, The painting originally seems to have been 9 cm taller, The painting must have been substantially reduced on the left, now showing only part of the original composition; the chair on the left is probably a later addition, apparently intended to balance the composition on this side when the canvas was reduced, Rembrandt and (mainly) workshop. The woman’s left hand, which originally hung in a lower position, and the table on which it now rests, are probably executed by Rembrandt himself, Rembrandt (and workshop?) Find more prominent pieces of portrait at Wikiart.org – best visual art database. The painting suffered severely when it was transferred from panel to canvas in 1929 and also from overcleaning. Rembrandt or Samuel Hoogstraten - Young Man in a Turban.jpg 631 × 768; 107 KB. 211b. 78.PB.246. In his great dramatic painting, Rembrandt tells a story from the Old Testament (Daniel 5: 1–5, 25–8). 286 was painted on part of the trimmed piece, Part of a series with 289, 290 and 292–294, Part of a series with 289–291 and 293, 294, The Apostle James the Less, or Christ with a Staff, The paint surface is severely worn. In the possession of Reinhardt, New York. Find more prominent pieces of portrait at Wikiart.org – best visual art database. The Anatomy Lesson of Dr. Nicolaes Tulp 60 (516,000 francs, S. de Ricci). In his great dramatic painting, Rembrandt tells a story from the Old Testament (Daniel 5: 1–5, 25–8). The painting has been cropped to the right and bottom, Made as part of a tripartite series with 228 and a lost Alexander the Great. For the finished painting, it plays an enormous roll. The painting has been cropped on all four sides, Rembrandt and workshop. Bust to the left, in a cloak with fur collar, anonymous historical person portrayed, old man, Rembrandt van Rijn (copy after), 1730 - 1774, panel, oil paint (paint), h 18.3 cm × w 14.5 cm d 3.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays … Frick Collection, New York Portrait of a Man at his Writing Desk: 1631: Oil on canvas: 104.5 x 92 cm. An old man in military costume by Rembrandt (Getty Center)‎ (3 F) An Old Woman Reading, Probably the Prophetess Hannah (Rijksmuseum) ‎ (4 F) The Anatomy Lesson of Dr. Nicolaes Tulp ‎ … Note we are only able to ship framed paintings up to a certain size. 33 x 28 cm wooden exclusive varnished frame 13 x 10 cm passepartout window glass An old man; bust in profile to right with wiry beard and hair, wearing a dark gown with a rough white collar; after Rembrandt. Attributed to Rembrandt, Head of a Rabbi, oil on panel, 8 x 6 ½ in., whereabouts unknown (sale, Christie, Manson & Woods, London, 4 March 1899, no. Das Kunstwerk Rembrandt / Head of an old man - Rembrandt van Rijn liefern wir als Kunstdruck auf Leinwand, Poster, Dibondbild oder auf edelstem Büttenpapier. The painting An Old Man in Military Costume in the J. Paul Getty Museum, by Rembrandt Harmensz van Rijn, was studied using two complementary, element-specific imaging techniques—neutron activation autoradiography (NAAR) and macro-X-ray fluorescence (MA-XRF) mapping—to reveal the second, hidden painting. Companion piece to 77a, Originally rectangular and larger on all sides, Half-figure of a Young Woman in Profile with a Fan, Knee-length Figure of a Man in an Oriental Dress (‘The Noble Slav’), A Scholar Near a Window (a study in ‘kamerlicht’), The figure of a woman on the stairs is scarcely visible; possibly a pentimento, Rembrandt and (perhaps) workshop. Sprache; Beobachten; Bearbeiten; Datei; Dateiversionen; Dateiverwendung; Globale Dateiverwendung; Metadaten ; Größe dieser Vorschau: 414 × 600 Pixel. Open Content images tend to be large in file-size. In the possession of P. and D. Colnaghi and Obach, London. He wears a dark purple cloak, over which hangs a gold chain with a medallion. His name is unknown, but Rembrandt's interest in him was great: there is one more depiction of this man - An Old Man Sitting in an Armchair (National Gallery, London). Signed on the left at foot with the monogram "R H L" ; canvas, 32 inches by 30 inches. Kunstdruck, Leinwandbild, gerahmtes Bild, Glasbild und Tapete. In this painting, Rembrandt turned his attention to the subject of old age, a recurring theme in his work that was also the focus of a large number of self portraits. 43. Companion piece to 133b. Companion piece to 132a, Portrait of a Man in a Slouched Hat and Bandoleer, Rembrandt and/or workshop. The calm, simple pose of this man is in itself an indication of virtue. Rembrandt: An Old Man in an Armchair, 17th century. A tiny painting of a weary, melancholic old man long rejected as a fake and consigned to a museum basement has been revealed as one from Rembrandt’s workshop, and possibly by the man himself. Not on view due to temporary Getty closure. In a private collection, Chicago. The identity of the figure in the painting is, however, unknown. Private collection, Portrait of Nicolas van Bambeeck in a Picture Frame, Portrait of Agatha Bas in a Picture Frame, The costume and the hand are largely overpainted by a much later hand, Actually: ‘The painting in the great hall of the Kloveniers Doelen in which the young Lord of Purmerland [Frans Banninck Cocq] as Captain, gives the order to his Lieutenant, the Lord of Vlaerdingen [Willem van Ruytenburgh] to march off his Company of Citizens’, as the painting is called in the family album of Frans Banninck Cocq. An original Rembrandt Van Rijn etching. 31 talking about this. colour; height, six pouces by five wide.’ But it was rejected in 1982 by the leading authorities on Rembrandt’s work, ‘the Rembrandt Research Project’, who believed it to be the best of a number of copies of a lost original. The Old Man in Red is perhaps one of the best of these images of old men. Portrait of Nicolaes Ruts: 1631: Oil on panel: 116.84 x 87.31 cm. Old Man with a Gold Chain is a painting produced by Rembrandt van Rijn in 1630. Bust of a Bearded Old Man is Rembrandt’s smallest known painting, and the only grisaille by the artist in private hands. In the possession of Julius Böhler, Munich. In this painting, Rembrandt turned his attention to the subject of old age, a recurring theme in his work that was also the focus of a large number of self portraits. Find more prominent pieces of portrait at Wikiart.org – best visual art database. Thus in 1957 a fine, signed Rembrandt, “Old Man in an Armchair” (1652), went on display at the National Gallery in London. Rembrandt Harmensz van Rijn - Man in Armour - Google Art … The painting is now almost hidden behind a strongly discoloured or tinted layer of varnish under which there also seem to be extensive overpaintings, A strip of c. 10 cm is missing from the bottom, This painting remained unfinished in his studio after Rembrandt’s death. Albrecht Dürer Woodcut The Martyrdom of Ten Thousand, c. 1496 $11,000 ID # w-5123. His father had robbed the Temple of Jerusalem of all its sacred vessels. The darker parts of the costume were originally lighter and more colourful, Strips of canvas of considerable width are missing on the side and top edges, The size of this painting has been altered several times, as has its format (from rectangular to oval to rectangular to oval again), The painting was probably cropped on all sides. He loves to play and cuddle and go for car rides and walks. Cropped on all four sides, Rembrandt and other hand(s). The rich costume that he is wearing gives no indication of the old man's occupation or social status. Originally rectangular and possibly also larger below, Rembrandt and mainly workshop. The dark patches in Uzziah’s face are probably painted indications of his leprosy, The panel has been trimmed on all sides. Rembrandt Portrait of a 40-year-old Man.jpg 2,790 × 3,721; 1.07 MB.
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