connecting outboard gear to interface
Patchbay normalling 3. Outputs 3 and 4 are for lines 1 and 2, etc. This will duck the bass and allow the bass drum to come through more. It converts analog signal to digital signal and vice versa, meaning you require an audio interface to connect analog equipment to your computer. I need an interface that can allow me to use outboard gear which has multiple line inputs. Most preamps output line-level signal. You'll need a multi-I/O audio interface — one with enough inputs and outputs to hook up your outboard and still have sufficient I/O left over to connect your microphones, other input sources, and speakers. While I can have 6 mics patched into the rear of my patch bay, I can only record 4 of them through my interface preamps at once. You always have the option to use hardware inserts or apply plug-in processing once the audio is recorded. , It may seem like the number of pieces of outboard gear that you can use is limited based on the number of inputs your audio interface has. If it’s unbalanced, you will select -10 and then also select -10 in Maestro’s output page as well. From the Output Channel dropdown menu below, select the output channel(s) that you’d like to use. There are mode switches represented as orange dots in Figure 1 on the rear panel. You can choose four basic frequency shapes with parametric EQ’s, as well, including bells, shelves, high-pass, and low-pass filters. In our example, connect the BNC cable from the Word Clock output of the Apollo to the Word Clock input of the secondary interface (if available). Time-based effects like reverb and delay are commonly used to add more space and give character to a mix. Using outboard gear on the front end of the recording process is a great way to process signals in the analog domain. If you’re new to the world of analog outboard gear, you’re in the right place. When I play my bass through the 4-710d there is signal noise in the form of pops and cracks. You can either connect two mono processors or one stereo unit. When using an analog summing mixer, you send these stereo tracks out to your mixer, adjust the parameters, then send it through A/D conversion back into your DAW for printing. Your audio interface likely has at least a couple of built-in mic preamps, so a standalone preamp probably isn’t required. Unless you print the effect, hardware inserts will only work during playback and are not permanent — unless you actually record them into the session. My mic/line inputs actually align with Ableton’s input numbering system, so I don’t need to add a number beside them like in the image above. What can you do? Connect your effects hardware line output into an line input (jack) of your interface, for example line input 3. Now that you’ve set up the tricky part, you can head over to the Mixer section of the track you want to route to your outboard gear. Hopefully, this guide has helped open your eyes to some new signal routing possibilities. When you’re ready to record audio through your outboard gear, press the Arrangement Record Button (at the top center of Ableton’s interface), engage playback, and then wait for the recording to finish. Use a send (or a track insert) to get the original signal to the outboard gear, and then use another track to record the signal returning from the outboard gear. You would be erasing the source of the information. The signals from the top jacks run down to the bottom jacks beneath them by default, and you can choose to route signals differently by connecting any of the top jacks to any of the bottom jacks using a patch bay cable. To bring a microphone’s signal up to line level, you’ll need to run it through a mic preamp. If you're interested in learning more about music production, How to Record Audio from Any App on Your Mac, Sign up for our newsletter to get "The 14-Step Mixing Checklist" for FREE. On my audio interface, outputs 1 and 2 are for my main monitors, so I’ve labeled them accordingly. Stereo-linking compressors link their detector circuits and allow you to apply the same level of compression to both the left and right signals. 1. Then, connect the output of your outboard gear to Line input 3 of your interface. If you’ve ever had questions about patchbays, this article is for you. It sometimes adds control surface and a MIDI interface, making all in one solution. Using the appropriate cables… connect a cable from Quartet’s output to the input of the piece of gear you wish to insert. I love options. Store Hours, If you have any questions, please call us at (800) 222-4700. The outputs of the converter are not typically used in the preamp setup unless you are re-amping. If your audio interface comes with its own software that allows you to control the unit’s internal signal paths, I recommend returning these settings to default mode to avoid any sort of confusion once you connect the interface to a patch bay. It uses a BNC type cable to connect. There’s new content every week, and I don’t want you to miss out. Consider these questions and more as you work with your equipment and develop your ears. Sure thing, slam the guitar track back through your amp and record with your mic; r… You can bring an instrument level signal up to line level by either running it through a standalone DI box or running it through one of the HI-Z (high impedance) inputs on your audio interface. Oops! Before catfishing you into rather expensive music production territory, I should mention that a lot of outboard gear is available in the form of analog-modeled plugins. In normal mode, an audio signal running into the top rear jack of your patch bay will automatically run through to the bottom rear jack. Instead of reducing the dynamic range, it will increase the dynamic range by making louder parts louder. Then, you run the processed signal from the output(s) of your outboard gear to the input(s) of your audio interface. ... HI , i want to start hybrid mixing but i am not sure how i should connect the external gear . Something went wrong while submitting the form. If you have already have a mixer, you could use the mixer to connect your outboard gear and use the 2i2 as an external converter into your PC. A rack mount allows you to screw your outboard gear into it, making it easy to store multiple hardware units near one another. This means I can connect 2 guitars, 4 microphones, and 4 line level signals at once. In Figure 2, the sound captured by Mic 1 will get routed to Interface Preamp 1 by default. Parametric EQ’s are preferred during the mixing process for more accurate control over the frequency spectrum. An audio interface with many ins/outs will allow you to send signal to a substantial number of outboard units and record multiple tracks at once. Mark which cables on the diagram you know are going to get swapped around a lot. These are typically placed at the end of the signal chain. A patch bay allows you to create custom audio signal routings. As the signal from the Ob comes back in the arrow I think in your cue mix in console you could send a stereo mix to your headphones but in real time you cannot use the outs to drive … I have my four most commonly used mic outputs stacked above my four available interface preamp inputs. By connecting these to your prized compressor or rare EQ, you can combine the sound of your boutique and vintage gear with Logic's flexible user interface. The amplified signal can then be processed by other gear and digitally converted by your interface for the DAW environment. The threshold is the level where the dynamic processor begins working. Make sure that your audio interface is selected as both the Audio Input Device and the Audio Output Device. Different studios will call for different patch bay configurations. There’s nothing quite as exciting as walking into a studio packed to the brim with analog equipment. Phone Hours | The patchbay’s most significant impact is saving you time rerouting connections when you want to change inputs or switch back and forth. Patchbays connect to all your gear, allowing microphones, DAW signals, and outboard gear to be patched from one another via the patch panel. Then, you run the processed signal from the output(s) of your outboard gear to the input(s) of your audio interface.
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